Emily Dickinson (1830-1886), the reclusive and intensely private poet saw only a few of her poems (she wrote well over a thousand) published during her life. After discovering a trove of manuscripts left in a wooden box, Dickinson's sister Lavinia, fortunately, chose to disobey Emily's wishes for her work to be burned after death. With the help of Amherst professors, Lavinia brought her sister's gifted verse into print. "The Collected Poems of Emily...

Over one hundred new poems and drawings by the author.

A complete collection of Sylvia Plath's poetry.

A collection of humorous poems such as "The Dancing Hippopotami," "You Can't Make Me Eat That," "My Father's Name is Sasquatch," and "Dear Wumbledeedumble."

In Spoon River Anthology, the American poet Edgar Lee Masters (1869–1950) created a series of compelling free-verse monologues in which former citizens of a mythical Midwestern town speak touchingly from the grave of the thwarted hopes and dream of their lives. First published in book form in 1915, the Anthology was the crowning achievement of Masters' career as a poet, and a work that would become a landmark of 20th-century American literature....

A contemporary interpretation of the well-known nineteenth-century nursery rhyme about the school-going lamb, accompanied by color photographs, a sample exercise from McGuffey's reader, and a note on the history of the author and her famous rhyme.

Inspired by William Blake's Songs of Innocence and Songs of Experience, this delightful collection of poetry for children brings to life Blake's imaginary inn and its unusual guests.

In this wise and intimate telling--which carries us through the seasons when her marriage was ending--Sharon Olds opens her heart to the reader, sharing the feeling of invisibility that comes when we are no longer standing in love's sight; the surprising physical bond that still exists between a couple during parting; the loss of everything from her husband's smile to the set of his hip. Olds is nakes before us, curious and brave and even generous...

"Ocean Vuong's second collection of poetry looks inward, on the aftershocks of his mother's death, and the struggle - and rewards - of staying present in the world. Time Is a Mother moves outward and onward, in concert with the themes of On Earth We're Briefly Gorgeous, as Vuong continues, through his work, his profound exploration of personal trauma, of what it means to be the product of an American war in America, and how to circle these fragmented...